As a group, we decided that we wanted to create a romantic comedy (of sorts), so we brainstormed lots of different ideas for a romantic comedy. After some deliberation, we chose to create a disastrous date, definitely showing more comedy than romance. Once we had chosen our idea, we started to draw up a storyboard of how we visualised the scene. The storyboard can be seen below.
Storyboard
When we created the storyboard, we also chose to make our shot list, as we found this was the most suitable time to do it. The shot list can be seen below.
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Once we had created the storyboard and shot list, we cast the roles within the group. As Chloe had had some previous experience with creating film, we chose her to be director. We chose Grace to be Assistant Director as she would also be starring in the film as the Waitress, so could give an actors opinion on how to improve the film. I was chosen to be Production Manager as I was heavily involved in the organising of the film, and Maisie was chosen to be Camera Man, as none of us had had experience with all of the equipment before, so it was good to have someone learn from scratch. Although Maisie was the main Camera Man, we all used the camera at certain points to create different shots, so that we were all able to start learning how to use the equipment.
Our next step in the process was to create the script, which can be seen below.
Blind Date
by
Production Team B
INT. RESTAURANT –
EVENING
A rather
sophisticated restaurant in Marlow. It’s about 6:00 in the evening. The
restaurant is fairly busy, with people drinking their beverages, and eating
their meals.
One of these people
is a YOUNG MAN. The YOUNG MAN is sat waiting nervously at one of the tables. He
checks his watch, whilst soft music, probably from a piano plays in the
background.
At this point, a
YOUNG WOMAN walks through the door. The YOUNG WOMAN appears over dressed for
the occasion, and a large portion of the restaurant stare at her. The YOUNG
WOMAN eyes over the restaurant, before spotting the YOUNG MAN and going over.
The YOUNG MAN stands to greet the YOUNG WOMAN.
YOUNG MAN
Hi, I’m Edward, but you may call me Ed.
YOUNG WOMAN puts
yellow marigold glove on her right hand in a comedic fashion, with a snapping
noise created when she lets go of the glove against her skin. The YOUNG WOMAN
then offers her hand to the YOUNG MAN,
YOUNG WOMAN
Well, my name’s Guinevere, but you can’t call
me Gwen.
YOUNG MAN awkwardly
shakes hand of YOUNG WOMAN. YOUNG MAN sits in his chair. Meanwhile, YOUNG WOMAN
stands waiting by her own chair, until YOUNG MAN realises, stands up and pushes
the chair of the YOUNG WOMAN in, however too far, and created a large noise.
They now sit, staring awkwardly
YOUNG WOMAN
Well, I had an absolutely diabolical time
getting here. I had to get on a bus, with other
people. I had to pay, whilst all these, what I call elderly simply got on without spending a penny. It was an
outrage I tell you.
The voice of the
YOUNG WOMAN becomes muffled as the YOUNG MAN zones out of the conversation,
completely unaware that the YOUNG WOMAN is still talking to him.
YOUNG WOMAN
What do you think?
YOUNG MAN
Um, no?
YOUNG WOMAN
Do you mean to say that you don’t like my
hair?
YOUNG MAN
Err…
At this point, a WAITRESS
walks in, ready to take the orders of the YOUNG MAN and YOUNG WOMAN.
WAITRESS
Are you ready to order?
YOUNG MAN
Err, steak and chips.
WAITRESS
And for you?
YOUNG WOMAN
Do you have anything meat free, dairy free,
calorie free, gluten free, and nut free? Oh, and fat free.
WAITRESS
I can offer you water, madam?
YOUNG WOMAN
You are unbelievable! You should cater for
everyone, especially seeing as I’m not even that fussy. I could name several
establishments who are able to meet my needs.
The YOUNG MAN sneaks
out of the restaurant, out of view of the YOUNG WOMAN, who is well involved in
her argument with the WAITRESS.
YOUNG WOMAN
Have you never heard of (using a bad French
accent) ‘Ipsum Dolor’, the famous French restaurant in Paris? I’m certain my
date here can assure you. Ed? Ed? Edward?
The YOUNG MAN can be
seen from the window running at high speed from the restaurant, and the YOUNG
WOMAN can be seen at the window, calling for the YOUNG MAN to come back.
YOUNG WOMAN
Edward!
An important decision we had to make was where to shoot the film. In our script, we had said that we wanted to set the film in a restaurant, which would be very difficult to get permission for in the short space of time we had. Therefore, we made the decision to film in a classroom in our school, and spend time dressing the set to make it look like a restaurant.
Throughout the Pre-Production process, we picked up any props we felt we would need along the way rather than doing it all at once, as we felt this to be a more efficient way of going about things.
We chose to cast our friends to be the roles of Guinevere and Edward as we knew of their acting abilities, and allowed us to film in school rather than finding a location outside of the school environment. We also chose to have 4 extras in our film in order to make the restaurant appear busy, like a usual restaurant environment.
Our penultimate task to create the treatment and the risk assessment. Although usually the treatment is created at the beginning, it had been an ongoing part of the task for our group, as we added to it once we knew more information about our film. The treatment can be seen below.
We chose to cast our friends to be the roles of Guinevere and Edward as we knew of their acting abilities, and allowed us to film in school rather than finding a location outside of the school environment. We also chose to have 4 extras in our film in order to make the restaurant appear busy, like a usual restaurant environment.
Our penultimate task to create the treatment and the risk assessment. Although usually the treatment is created at the beginning, it had been an ongoing part of the task for our group, as we added to it once we knew more information about our film. The treatment can be seen below.
Film Treatment
Film Title: Blind Date
Production
Name: Production Team B
Film Duration: 1-2 Minutes
Roles
Director: Chloe Kennedy
Assistant
Director: Grace Chambers
Production
Manager: Andrea Simpson
Camera Man: Maisie Baker
Characters
Young Man: Jess Balmer
Young Woman: Claire Evans
Waitress: Grace Chambers
Costumes
Young Man
·
The Young Man will be
dressed quite formally, however he won’t appear too overdressed. He will be wearing a shirt and tie, but not a full suit.
Young Woman
·
The Young Woman will be very
overdressed, wearing clothes of a rather old fashioned style. She will wear a
rather garish dress that is a bright colour. She will have very big hair, and
her makeup will be very over the top, with bright red lips that aren’t very
neat, with some on her teeth, and heavy eye makeup.
Synopsis:
A Young Man named Edward, around the age of 21, has
been set up on a blind date by his friends. He knows very little about the
Young Woman he will be meeting, with all he knows being that the Young Woman is
of a similar age to him. The film is based around the idea of dating, and
follows different couples as they go on dates across the world, showing the
good and bad of dating in the modern day. Dating apps will be used to set up
dates, as well as dates between long-time friends, blind dates, and speed
dating. The film shows how dating differs greatly to that which was happening
only 20 years ago. The film is based around the idea that it isn’t always love
that brings us onto these dates any more.
Setting:
We have chosen to film our scenario in a room that
will be dressed to look like a sophisticated restaurant, somewhere that the
female character will look far to overdressed to be.
Props:
·
Yellow Marigold glove
·
Plates
·
Table cloth/s
·
Chairs
·
Glasses
·
Pen
·
Notepad
·
Napkins
·
Tie
·
Apron
·
Wine bottle
·
Feather boa
Lighting:
For the lighting, we have decided to use natural
lighting from outside, as well as some lamps within the room to create the dim
lighting you would find in a higher class restaurant. We were initially going
to use the lights that are already in the ceiling of the room, however they
give everything in the room a yellow tinge, which is not how we wanted the shot
to look.
Sound:
We are going to try and use as many diegetic sounds
as possible. For example, throughout the entire scene, soft music will play in
the background, so they will be added during editing, however it will appear
that the music was played whilst filming. Also, when the Young Woman enters the
scene, as record scratch can be heard, which will also be added during post
production whilst sound editing, however the actors in the scene will react to
the sound, making it appear like it was in the scene the entire time.
Also, during post production, we will add a low
volume sound of people talking to give the effect that the restaurant is rather
busy, even if we only have a couple of extras. This sound can be recorded
during filming, and then put on a loop throughout the scene, or it can be
recorded after filming has taken place.
As this was our first risk assessment, we found it quite difficult to think of some of the risks we could encounter whilst filming, but after a lot of thinking, we managed to create a risk assessment. The risk assessment can be seen below.
Hazards
|
Person at
Risk
|
Risk Control
Measure
|
Risk
|
Comments
|
Lost Crew
|
Film Unit
|
Film unit must stay together at all times during
filming, and head counts must be done before leaving a location, and when
arriving at a new location.
|
Low
|
All Crew (Students) under 18 to apply to ALL hazards
|
Weather
|
Film Unit/Actors
|
Weather must be checked prior to filming so that
correct precautions can be taken in terms of location and safety.
|
Low
|
|
First Aid
|
Film Unit/Actors
|
Production Manager must be responsible for access to all
First Aid facilities and have all emergency contact numbers.
|
Low
|
|
Lack of Unit Organisation
|
Film Unit
|
Production Manager must oversee all tasks done by
crew members. Crew must also be briefed about the day before filming
commences.
|
Low
|
|
Running outside/chance of tripping
|
Actors (Young Man)
|
Check route of run before the run occurs. Production
Manager must move all hazards on route before filming starts.
|
Medium
|
|
Using knives
|
Actors
|
Production Manager must oversee the use of knives
(cutlery) whilst on set to prevent any injuries.
|
Low
|
|
Using water around electricity
|
Film Unit/Actors
|
Make sure that the bottle of water used in the scene
is kept well away from the equipment used to film at all times.
|
Low/Medium
|
|
Injuries from trips, falls etc.
|
Film Unit/ Actors
|
Production Manager to ensure all equipment is safely
out of the way of all members of cast and crew.
Tripod must be watched and controlled, and when not
in use, must be moved out of the way.
|
Low/Medium
|
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